Once you’ve ripped out someone’s intestines and used them to scale a building, there’s really no way for you to do anything similar and outdo yourself. But in a nod to the film’s predecessor, one of many references to countless films, Robert Rodriguez’s Machete Kills charges ahead and lets the title character rip out his assailant’s intestines once more and sling them into a helicopter’s fast-moving rotor blade so that we can have blood and guts splatter all over the camera lens.
If you never saw the first Machete, you may not mind this as much, but anyone seeing this follow-up will miss the good ol’ times of Machete’s former adventures. This sequel, and its main character, is sad from beginning to end, and we simply cannot allow ourselves to enjoy such a waste of talent, especially as the melancholy of the sometimes sardonic Machete is completely unbecoming.
The man with the machete, who used to be a Federale, still loves to wield his weapon of choice, slicing and dicing his enemies with the poise of a master chef. But in this installment, he has to face some revolutionary technology that is straight from a B-movie director’s wet dream, such as a defective molecular disruptor that turns people inside out. If he can successfully evade this device and the women wearing bras fitted out with machine guns, he may just save the world.
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